Boy Meets Girl was envisioned as a soundtrack to an imagined horrorfilm about love. The core of the ensembles song structures are often builtaround Kokis fuzz-laden guitar and Shins drum bombast which propeltorrents of hisses and squelches from Taro and Etsuo. Taichis largely lyricless screams, moans, and whimpers are potent messengers of the songsemotional heft. There lies an ecstatic, excited energy amidst the anarchicdefiance ENDONs music exudes. Born of the same Japanese scenes thatgave rise to the likes of Merzbow and Boredoms, their sound is equallydiverse and abrasive. Boy Meets Girl demonstrates ENDONs singularfaculty to produce music that is at once tortured and transcendent